Reposted from my guest blog on Rooflines.
There’s something you should know about me: I’m a professional amateur. For the past 7 years I’ve been composing and performing music in original theater works with my wife’s company, Downtown Art. We’ve just opened our latest piece, Bowery Wars (Part 2), a rock musical about the history of the Lower East Side 100 years ago, Tammany Hall politics, gang warfare, and Romeo & Juliet. It rocks, and yes you should come see it.
But I’m not just here to flog my latest masterpiece. We professional amateurs are artists who fly under the radar. We don’t make our livelihood from our art. We do other things to put bread and butter together. I happen to be a highly compensated community development consultant, but many of my peers are dog walkers, administrative assistants, massage therapists, and restaurant workers. (By the way, in another shameless plug, you should check out my brother Dan’s blog on the lives of restaurant workers and artists in Chicago). I also serve on the Naturally Occurring Cultural Districts Working Group, and I’m currently doing some research for the Municipal Art Society on revenue trends for the nonprofit cultural sector. In my previous work I ran an “Arts and Economic Development” giving strategy from the Deutsche Bank Americas Foundation along with my colleagues Gary, Alessandra and Sam (hi guys!).
All in all, you might say I have a rather engaged perspective on the question of where arts and economic development intersect, and where they don’t. There are four major trends right now in NYC. Continue reading