Big Car in Indianapolis, IN is a former auto service center.
Dear Reader,About a year ago the Naturally Occurring Cultural Districts (NOCD) working group asked your Man About Town to write a nice, juicy case study about what happens when cultural organizations buy non-cultural facilities and fix them up. This three part series details my findings, although it’s well worth checking out the original report to see case studies from nearly a dozen cultural organizations across the country. You can also read Part IandPart IIof this series to learn more about the unique opportunities and challenges of adaptive reuse. Continue reading →
Dear Reader,About a year ago the Naturally Occurring Cultural Districts (NOCD) working group asked your Man About Town to write a nice, juicy case study about what happens when cultural organizations buy non-cultural facilities and fix them up. This three part series details my findings, although it’s well worth checking out the original report to see case studies from nearly a dozen cultural organizations across the country. Check out Part I of this series to learn more about the unique opportunities and challenges of adaptive reuse. Continue reading →
About a year ago the Naturally Occurring Cultural Districts (NOCD) working group asked your Man About Town to write a nice, juicy case study about what happens when cultural organizations buy non-cultural facilities and fix them up. This three part series details my findings, although it’s well worth checking out the original report to see case studies from nearly a dozen cultural organizations across the country. Continue reading →
The Dodo hangs with Alice in Wonderland. LISC, Enterprise, CSH and NFF are not building affordable housing there.
Dear reader, as part of a special report for Shelterforce I sat down with the heads of four of the largest community development intermediaries in the country and asked a simple question: Are you still relevant?
This six part series looks at the evolution of their role in the community development sector and their strategies for the future.
The Great Struggle for Cheap Meat (Downtown Art) – Photo R Gilliam
Just about 110 years ago, the price of kosher meat pretty much doubled overnight. If you were a Jewish homemaker who had to make every penny count in order to keep your family fed, this wasn’t just an inconvenience: it was a serious threat to your economic stability. What’s more, it smacked of racketeering by wholesalers who had a captive market of consumers for kosher foods, and recalled anti-Jewish oppression levied through taxes on Kosher foods in other countries.
Jewish women fought back. They organized a massive boycott of butchers and meat wholesalers that not only succeeded in bringing the prices back down, but became a seminal act of defiance in community organizing and paved the way for major rent and labor strikes to come (including the 1907 Rent Strike and the Uprising of the 20,000).
There’s something I have to tell you, Dear Reader. I have a secret life.
I’ve known this about myself since I was 14 years old. I experimented with this part of who I was a lot while I was in college, but eventually I moved on and settled into a more traditional lifestyle and quietly tucked this side of myself away. I lived like this for years.
But that’s been changing. It all started shortly after my first marriage ended, when I was looking for something to take me back out into the world. Suddenly, this other side of me seemed unavoidable – I felt so compelled to show who I really was, to do it again and again. I worked on Wall Street at the time, and suddenly it seemed people like me were everywhere and I had never noticed before: hanging out in seedy bars with late night open mics, or sneaking out during our lunch breaks to a quick session in a rented room nearby. We led a second life complete with different friends, different clothes, different mannerisms, but more fully ourselves.
And then I met my current partner, Ryan. Unlike me, Ryan had never hid behind another identity. Ryan is proud, fearless, open, visible. When, during one of our first dates, Ryan suggested we write a musical together, I knew I could no longer hide who I was.
You see, Dear Reader, like many of my fellow funders and financiers I’ve often touted the benefits of moving toward greater scale: improved operational efficiencies, greater programmatic reach, increased access to resources, heavier political punch. But I’ve also struggled with the oft recognized but seldom addressed reality that scale is not an answer in and of itself, and that sometimes scaled solutions leave even larger problems in their wake. Thanks to Ian, I think I got the mental kick in the epiphany I needed.
And here’s why I think scale sometimes, well, stinks up the joint. Continue reading →
Funders, Speakers and your Man About Town walking to the Queens Museum from the Mets-Willets Point 7 Train – Man About Town / Tumblr
Your Man About Town’s middle name is Moderation, Dear Reader; and although it is a somewhat awkward locution when making a full introduction, it nonetheless conveys the important fact that your Man About Town’s middle name is not Tom, Dick or Harry. I moderate. I facilitate. I have even been known, at times, to adjudicate.
In my earlier posts on this subject, dear reader, I first endeavored to put a finer point on the more than thousand-fold revenue variation between the largest cultural organizations in NYC, and the median cultural organization. Holy stromboli you say? Yes! While the very largest nonprofit culturals have revenues of more than $300 million annually, more than half the groups in my most recent study had revenues of less than $250 thousand. What’s more, the top five very largest organizations received nearly half of all city funding (their share being a whopping $133 million). Continue reading →
Dear Reader, below you will find testimony that I presented recently before a joint hearing of the New York City Council on the impact of the arts on small businesses and community economic vitality. You may very well be interested in two previous posts on this subject: The Art$ (wherein I discuss the economic realities of very small versus very large nonprofit culturals in NYC), and The Art$ – Part II (wherein I dig deeper into how very large nonprofit culturals make their money compared to how small nonprofit culturals do). Continue reading →
